Rest to Draw the Water
Rest to Draw the Water presents a collective inquiry into the quiet power of Vodun and the objects that inhabit its ritual spaces. Rooted in the suggestion that the word Vodun originates from the phrase ‘rest to draw the water’ this exhibition seeks to reframe a tradition misunderstood and sensationalized. Instead of invoking fear or spectacle, this etymology gestures toward stillness, care, and preparation: a pause before an intentional act.
The works invites viewers to approach ritual objects not as curiosities or symbols of the occult, but as active participants in human attempts to make sense of the world. These objects—imbued with hopes, fears, love, and longing—serve as mediators between the visible and the invisible, the personal and the communal. They carry stories of protection, connection, and transformation, yet they also reflect universal impulses: to invest meaning in material things, to seek agency in moments of uncertainty, and to externalize emotions too complex to hold alone.
By placing these objects within a contemporary visual dialogue, ‘Rest to Draw the Water’ asks us to reconsider the place of magic, ritual, and spiritual materiality in modern life. What does it mean to give agency to an object? How do such practices shape identity, memory, and belonging? And what possibilities emerge when we slow down—when we rest—before drawing from deeper cultural and emotional reservoirs?













